How do you identify a backing singer when there’s no footage of them performing?
That’s the problem with Luxembourg’s 1964 entry, Dès Que Le Printemps Revient by Hugues Aufray. Most of the Contest is lost, but on the audio you can hear backing singers repeating back lines from the song. There was no indication in other sources that there was anyone on stage with Aufray, but there must have been. These are the only unidentified performers from Eurovision 1964 – so who were they?
My first stop was Hugues Aufray’s skiffle group. You can see them performing a different song together in 1964 here:
Given Aufray had a regular band, it seems likely that at least some of them joined him on stage in Copenhagen in 1964.
The YouTube video description names five members of the group who accompanied him in concert that year: guitarists Tatcho Fantini, Claude Mevel, Freddy Street and Michel Langouet, and double bassist Francis Dunglas.
For some time, I thought this was as far as I would get. But then I saw this new colourisation of a number of photos I hadn’t previously been aware of:
The black-and-white originals in the DK archive indicate that Aufray had two backing performers. One is shown fairly clearly; the other is unfortunately obscured in every image.
At least we stand a chance of identifying at least one.
Helpfully, the photographer Tony Frank took a range of photos of the group in the 1960s and has put them on his website. Here’s one from 1963 – the guitarist on the left of Frank’s photo appears to be Aufray’s visible musician in the photo above. The names in the caption match those we got from YouTube, although it’s not clear if the order in the caption is a left-to-right match with the band members in the photo.
For a start, we can discount the double bass player. With a bit more research and cross-referencing with different sources, I’m confident that the man we can see on stage in 1964 is Tatcho Fantini.
One down, one to go. Even though we can’t see the other guitarist’s face, we can see one useful clue: he’s playing left-handed. And if you watch the YouTube video above, only one of Aufray’s contemporary group played the guitar that way round. That’s the fifth person in Frank’s photo, smiling at the back.
A bit more cross-referencing with other images and videos and a process of elimination and we can be fairly sure the second guitarist and backing singer, whose face we never see, was Freddy Street.
Last night I watched the 1978 Eurovision Song Contest and ended up solving a mystery that’s been bugging me for three months.
From a Six on Stage perspective, the 1978 Contest is particularly interesting because it features the same backing singers on four different songs – or that’s what I’d been led to believe.
There aren’t a lot of primary sources you can go to when it comes to identifying backing singers from 40+ years ago, so there are some excellent secondary sources I fall back on: in particular the no longer updated Diggiloo Thrush and the comprehensive Dutch Eurovision Artists site.
Both sites agree that Georges and Michel Costa, Martine Latorre and Francine Chantereau provided backing vocals in 1978 for France, Germany, Belgium and – sans Michel – for Monaco. (It’s Michel’s absence there that means his brother has performed the most songs at Eurovision with 17, while Michel has sung on 16.)
But then I watched the French entry, illustrated here via a screengrab from one of the low-res copies of the Contest floating illicitly on YouTube:
Voici Joël Prévost, accompanied by not four but five backing singers. We know that two of the female singers are Francine Chantereau and Martine Latorre, but who is the third?
Let’s take a diversion to the 1986 Eurovision Song Contest in Norway. There, Georges and Michel Costa made their final appearance as Eurovision backing vocalists on a song they wrote themselves, Européennes by Cocktail Chic. Cocktail Chic comprised sisters Dominique Poulain and Catherine Bonnevay and their cousins… Francine Chantereau and Martine Latorre.
I’m not sure if you can tell but this was the 1980s.
A bit more research reveals that these four formed a group at the end of the 1960s first called Les OP’4 and then, as Les Fléchettes, primarily providing backing vocals for singer Claude François. They also performed as Dominique et les Fléchettes, with Dominique (third in the image above) taking lead vocals. And in the 1970s they performed with the Costa brothers under the name Chance.
Francine and Dominique also sang backing vocals for Marie Myriam on the winning song in 1977 that brought the Contest to Paris.
So it stands to reason that the third female singer supporting France in 1978 is either Dominique or Catherine. Better check the other performances to see if they have the extra singer too!
Here’s Belgium:
Aha! Yes indeed. It’s a blurry picture but once again there are three female backing singers. Except… even in this low-quality copy it looks like those are not the same three.
Michel: There was a year when we sang for five countries, in Paris: France, Luxembourg, Monaco, Belgium and Germany. We changed jackets between songs. Interviewer: Under what circumstances did you accompany Germany? Michel: We went to rehearsals, and Germany was in the room, they did not have any singers and said to themselves “These singers must be very good because they represent everyone!” (laughs) Interviewer: Wasn’t it too hard to sing in German? Georges: No, it was just “Feuer” to sing, and the rest was the “Ah”, sounds like that.
NB: Baccara representing Luxembourg did not appear to have any backing vocals.
Germany was represented in 1978 by the glorious Ireen Sheer, who had sung in French representing Luxembourg four years earlier. Here she is in Paris:
Right. The gang is back but they’re different again. And Monaco is the very next song. Will they have time to change?
No, no they won’t.
Although the picture quality is grainy, one helpful aspect of the ’78 Contest is that instead of postcards there is backstage footage of each act making their way to the stage. In most cases the previous act is waiting to wish them good luck (well, waiting for them to vacate the lift so they can go back to their dressing rooms).
When Monaco and Germany cross, we see the Costa brothers backstage with four women in purple dresses. Four!
As you’ve probably worked out, the whole Fléchette family was there and rotated the backing vocal honours amongst them. So the next challenge was to identify who was who in order to list them correctly on Six on Stage.
I crudely classified them based on height and hair, because that’s pretty much all there is to go on in this video. So we have:
France: ginger, short with dark hair, tall with dark hair
Belgium: ginger, blonde, tall with dark hair
Germany: blonde, short with dark hair, tall with dark hair
Monaco: ginger, short with dark hair
I told you it was crude. The next step was to name them. Helpfully, the Diggiloo Thrush’s page for Cocktail Chic identifies them in their 1980s personas. Francine is the taller of the dark-haired women and Dominique the shorter. Catherine is blonde and Martine is not really ginger.
This video from 1970 endorses the identification of Dominique.
All that was left to do was to update Six on Stage with the correct backing singers:
But that wasn’t the mystery that had been bugging me. I said this involved five countries, not four, and we haven’t even touched on Eurovision Again.
It’s Ireen Sheer’s fault.
She cropped up representing Luxembourg in 1985 during the most recent Eurovision Again. But she also represented them back in 1974.
Eurovision Again and the BBC treated us to that Contest as welcome lockdown relief in the middle of May. At the time, a number of eagle-eyed viewers tweeted that Ireen’s backing singers stayed on stage in exactly the same outfits to provide vocals for the immediately following act, Romuald from Monaco. Frustratingly, I’d been unable to identify these four singers, none of whom was recorded in my go-to sources.
This made me sad.
But then I started thinking: Ireen Sheer. Francophone countries. Four female singers. 1970s. Maybe there was more to Germany’s choice of backing singers in 1978 than the Costas remembered. You can hear the cogs turning.
Sometimes the only evidence is the Contest itself.
Short with dark hair. Tall with dark hair. Blonde. Possibly ginger.
I’ve looked at contemporary photos and videos. I’ve squinted at the 1978 footage. I’ve pored over Cocktail Chic.
