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Who’s had the most Eurovision roles?

There are lots of roles at the Eurovision Song Contest and plenty of people have taken on more than one – not least every songwriter who’s delivered their own song on stage. But who has performed the most roles at Eurovision?

First, some caveats. We’re talking about people representing their country. There are lots of roles at Eurovision beyond this – in TV production, website and social content, stage management, etc. But when it comes to countries’ participation, Six on Stage identifies the following specific roles:

  • Lead artist – the credited singer or group for an entry
  • Backing performer – dancer, backing vocalist, puppeteer – anyone performing an entry on stage who’s not the lead artist
  • Songwriter – you’ll see this broken down into composers and lyricists on song pages (and where that information isn’t available we list credited writers as both), but for this analysis we’re considering the role of writer as a single one
  • Jury member – someone who has been a member of a country’s professional jury
  • Spokesperson – someone who has announced the country’s scores (or, in the current format, their jury’s 12 points)
  • Host – slightly different as it’s not linked to any entry and only the host country provides these each year, but we record this not least because so many hosts have also been involved in other ways
  • Other – we’ve started trying to note creative directors, choreographers, stylists… This is pretty much unlimited and dependent on suitable sources so is never going to be complete. That’s why it’s a generic “Other” category.

Lots of people fall into three or four of these categories as it’s common for a singer-songwriter to also serve on their country’s jury and sometimes be a spokesperson too, but two people in the Six on Stage database fall into five categories.

Germany’s Stefan Raab has a long history with the Eurovision Song Contest and that’s reflected in the number of roles he had between 1998 and 2011. He was his country’s named artist in 2000 with Wadde hadde dudde da?, which he also wrote; he wrote and was a backing performer for Max Mutzke‘s 2004 entry; he wrote the legendary Guildo Hat Euch Lieb and turned up to “conduct” the orchestra (who weren’t playing); and finally in 2011 he was one of the Contest’s hosts in Düsseldorf.

The only person who can match this is Slovenia’s Lea Sirk, and arguably her six roles count more strong as they don’t include hosting. Her first involvement was actually in 2012 as a jury member before going on to provide backing vocals for Tinkara Kovač in 2014 and ManuElla in 2016. She’s best known for her own entry in 2018, Hvala, ne!, which she also co-wrote, and returned a year later to reveal her country’s jury scores.

Now if Stefan could come back and sit on Germany’s jury or Lea could host for Slovenia, they could complete the set…